Well, they tried. It is apparent that the video quality has risen from the first disastrous release of Viz, and the untrained eye will mostly notice that in the Blu-Ray images are a bit clearer and the ghosting is less noticeable with the exceptions of the second and third episodes on disc one. Experts, however, will be able to see that the improvement has its limits: the DVDs have a blurred quality to the outlines and a slightly muddy one to the color, and on both sets of discs there is an inconsistency with the strength of the lines. Some episodes also suffer from so-called “mosquito noise,” basically a sort of swarming effect on some of the blocks of color. For fans of this original Sailor Moon anime, this is a dilemma, because while it does include episodes which were butchered or simply omitted from the first English release of the series, making for a show that flows organically even in its filler episodes and has a vicious finale, it is still not the flawless release that the show deserves. It is better, yes, but given the quality issues with set one, that isn't necessarily high praise.

Unlike other shows primarily enjoyed when we were younger, Sailor Moon does hold up. The story follows fourteen-year-old Usagi Tsukino, a kind of flaky second year in middle school who enjoys eating and playing video games more than studying. She's perpetually late, not hugely mature, and in short seems to be the world's least likely candidate for superhero. She's therefore shocked when the cat she rescued from a group of little kids starts talking to her, telling her that she has the power to transform into the dub. Zoicite and Kunzite are better strategists than Nephrite or Jadeite, and Zoicite's decision to find the seven Rainbow Crystals as a means to revealing the location of the much-sought after Silver Crystal launches us into the major storyline of the second half. Ultimately, however, this is about the girls' past as denizens of the Moon Kingdom, and whether or not the mistakes of the past can be rectified in the future. To this end Usagi must become a stronger person, one who can see past her foolish actions of the past and find strength in herself as well as in those around her. This is primarily dealt with in the final two episodes, which are by no means an easy watch. Luckily for us this show comes from the time when telegraphing the events of the episode was done by title, so you pretty much know what's coming before you start watching. It is a testament to the show that it still manages to be emotionally effective.

The new dub script generally does a good job of adapting the subtitle track, though there are some interesting changes. Perhaps the most noticeable is that in the Japanese version the subtitles read that some people call Usagi a “crybaby,” while in the dub she says that she can be “a little emotional.” Other lines feel added in for humor value, such as Usagi's jabs at Mamoru's stunning green sport coat and purple pants combo, with a personal favorite being when she calls him a “walking fashion disaster.” It is funny, but it smacks a bit of Amanda C. Miller are both terrific as Sailors Venus and Jupiter, with their transformation phrases sounding very similar to the original Japanese in of pacing.

What is the real draw to these episodes, apart from formerly missing content (and that hot springs episode really could have stayed lost), is the growth of the characters. With Tuxedo Mask out of play for much of the second half, Sailor Moon has to find strength within herself, and the revelation about her past makes it that much harder for her to figure herself out. She suffers from nightmares and fits of uncertainty, all very well shown in the final two episodes when she truly has to go it alone. She eventually realizes that she has to do what she, Usagi Tsukino, thinks is right, not what Sailor Moon or Princess Serenity would have wanted. Her inner strength comes from her present rather than her past, which is something that sets her apart from the other pretty guardians. As Usagi, she has a pretty great life. That's something worth ing for her, and a source of power she didn't know she had. It also sends a good message to viewers, reminding us that it is not who we were, but who we are that helps to keep us grounded.

While there is still a monster-of-the-week feel to a lot of the filler (or rather, not in the manga) episodes, and poor Naru really ought to wear a T-shirt that proclaims “Official Victim of the Dark Kingdom,” a real effort is made to develop Rei, Ami, and Makoto as characters; Minako really comes in a bit too late for that this season. Ami and Rei, having been in the series longer, become fuller characters than Mako, and having that sense of character helps to make the finale stronger, particularly with Rei. Mamoru still lacks in the personality department, but even that has a bit of explanation, and we at least come to understand why he transforms into that particular outfit. Some of the imagery is more sexualized than you might have expected, with one sea-themed monster shooting...stuff...from her breasts; more interesting is the fact that non-manga episodes or sillier ones have a distinct increase in panty shots. (Plus one weird one where Mercury falls over and Jupiter makes an odd face while looking up her skirt.) We do see Sailor Moon herself consistently getting stronger, however, no matter how filler-y the episode; in a couple she even saves Tuxedo Mask instead of the other way around.

With some interesting foreshadowing of the fifth season, Sailor Stars, and one episode that feels a bit of a tribute to Sailor Moon Crystal's lukewarm reception. This is the story of a girl finding her own power. It isn't perfect and it still doesn't look as good as it ought to, but it is a series whose story ultimately holds up, even after twenty years.